Wednesday, September 16, 2015

Caught On Camera

Hey y'all!


I haven't had much to say lately here on the blog but you know there has been nada slack on my making habits. We recently installed infrared deer cameras in our backyard after a break-in (nothing too bad, we're lucky) and as a result I accidentally documented my comings-and-goings on one of my latest projects: making new "old" flags for Wrangler jean company (they're HQ is in Greensboro!).

Serendipity is such a funny thing. After receiving the latest Textile Arts Center magazine months ago, I followed their instructions for making a rust dyebath, with no real purpose, just out of curiosity.

Aka- 1 part water, 1 part vinegar, and a bunch of rusty metal objects set into a jar for several weeks.

Then I got this freelance job to make new "old" flags, and I thought what better way to make something look old than a rust dyebath?

I wadded up the flags after they were sewn and shoved them in the pickle jar full of the rust solution. Then I would leave them out in my backyard for days on end, allowing them to get rained on and generally exposed to the elements. This would subtly deepen the rust splotches in a nice way. If you pulled one out of the jar and didn't wash it off at all, the rust would deepen dramatically (ie- the 2 on the bottom left photo below).

 These are various stages of rust depth. The bottom left I tried to bleach after the rust color became too deep and apparently rust is not affected by bleach. The bottom right is a black tea stain, much too gray for this project.

Then when I was satisfied with the rust color, I took some sand paper to the fabric and added my "W". These are my guide lines before stitching. Alas! I was so anxious to drop this project off I forgot to get a final pic ... whooooops. It was a really fun project! I've never played with "aging" fabric before, you sorta feel like a mad scientist; dipping, watching, washing, re-dipping. I played with several types of stains in the beginning but the rust proved the best.


I also got a couple new toothbrush pairs framed this week. I couldn't decide what to do with the frames, the natural beech just seemed so boring so I grabbed my acrylics and started painting. I was so happy with the results that I decided to make a whole rainbow of toothbrush pairs in this manner.

Seriously, not joking. I made a whole pile of new toothbrushes!! 17 in all. There will be lots of paint mixing in my future :)

And I'm always making new houses when I can. I've started adding solar panels in now that I'm using the knitting machine to make them. My stitches are much tighter with the machine which means I can get more detail in a smaller space. The 2 on the bottom right and the top middle one are machine-knit and the others are hand-knit. Can you see the difference in the stitch size?

I have a few house available for sale on my Etsy page and I would like to add more when I can! That bottom middle house with the solar panel has become my fave and I've been loath to part from it. I guess I need to make more so I can share!!

Friday, August 7, 2015

How Peanut Shorts Led Me To A New Business Venture

Something that I'm recently discovering is vitally important for creative types/business entrepreneurs/designers/makers/discoverers/ME : making time to play

In the words of Carrie Bradshaw, I tend to "should" all over my life. "I should be responding to that client's email", "I should be regularly posting updates on Facebook", and the biggest one "I should be making more money". I am certain now that all that "should"-ing has held me back from growing my career and discovering what I really want to do.

If a scientist doesn't make time to experiment, how will she be able to discovering anything new?

If a chef doesn't make time to try out unfamiliar ingredients, when will she ever develop new recipes?

I allowed my fear of needing to make money keep me from playing in my studio. I took other people's stressful jobs, things I didn't even want to do, just for the money and prevented myself from discovering ways to take my own creativity and turn it into a career, on my own terms. 

It's ok, it only took me like 3 years to figure this out but, hey, better late than never. 

So let me tell you about my new business idea...

 .... I'll give you a hint, it's not modeling!

A couple weeks ago I made myself a pair of cotton shorts on a whim. It was hot, and I couldn't find my other pair. I'm sure there were other things I could've been doing that day but I chose to prioritize this project. Then I wore them every day for the next week. I was obsessed with these shorts!

My #1 man encouraged me to post a pic on Instagram and see if anyone else wanted a pair, and people were interested! The next day I went back into my studio and assessed that I had enough peanut wax print fabric to make 6 more pairs. So I threw the offer out there via Insta:

6 pairs available
$36 flat + free shipping
first 6 people to respond get em'
who wants em'?

I learned with my pair that it's nice to have a tag to easily identify front from back -- personalizing the tags makes it all the more fun, and a nice surprise for my clients.

I was sold out within the hour! 

That night I sent out invoices via Square (--> unbelieveably easy! Highly recommend it. BUT Venmo is the best to be able to avoid any processing fees, seriously, no fees! Only catch is you and your client both need to be signed up to use it. With Square, your client only has to enter payment info and that's it.) I also sent out emails with instructions on measuring your body.

Then all I had to do was wait for these 6 guinea pigs to fulfill their end (payment + measurements) and I happily sewed up their orders as they came in. It was enjoyable work that I created in my own studio, I was able to use up all this beautiful fabric that had been sitting around collecting dust. It overall was a great experience. I actually ended up selling more than 6 because I had a couple friends that saw more fabrics sitting around my studio and requested shorts in those alt. fabrics.

Peanut shorts seen in the wild!

My co-worker Gillian snapped this shot in her new shorts, made with another wax print fabric I had lying around.

Doing this little experiment got me really excited about the idea of creating more limited edition garments. It absolutely fits so many things that I love, those things being...

1) creating unique garments,
2) flexing my pattern-making skills and seeing them thru to full development,
3) small business, small production, small enough work that I can do by myself, 
4) providing others with a chance to purchase clothing outside of the "big box", 

...not to mention providing a custom fit! If only I could stand on a soapbox and preach the glories of clothes that are made specifically for one's body. I shutter at the thought that most of us wander this earth wearing garments that only kinda fit right. Or gosh! people that don't even realize what well-fitted garments look and feel like! Their ignorance pains me! I know the Truth! Follow me and I can make you look like you lost 20 pounds just with the magic of my sewing machine!

My favorite is to create a garment and fine-tune it till I can say this is a quality product. That means wearing it and judging its fit, washing it and seeing how the fabric wears. I'm a true sample-maker at heart, the engineering of it all is what I live for.

This is me creating a non-committal clothing line, as inspiration strikes and time permits. I love the freedom of this idea and I've got so many more garments I'm getting excited about offering. For this first go-round, I only advertised on Instagram but there's possibilities of expanding to other social media outlets and email marketing (join my mailing list here).

What do you think? Would you buy clothing in this manner? What platform do you think is best for this sort of business venture?

Wednesday, July 29, 2015

DIY Wedding Guest

Spent the afternoon watching "The True Cost" documentary and knitting organic, hemp fabric scraps that I got from work. YES it was a perfectly-sunny summer day and YES I had more productive things I could've been doing (I'll refrain from photographing the dishes in the sink and my suitcase opened in the middle of the floor), but this, this was ME time and it felt utterly refreshing.

Remember how I was struggling to post any updates at the beginning of this year because I was so busy? Well, I'm still busy and it looks like I won't get any breathing room until October comes and goes. The main culprit? Weddings! I'm at that age and am reaping the benefits (and financial burdens) of investing in so many personal relationships over the years. 

So today I'm knitting pot holders, and scheming on other DIY wedding gifts (I love these tea towels) I can create to show my love for all these beautiful people and keep my wallet in my pocket. Or at least save it for air fare.

Do you have any DIY wedding gift ideas? Plz share ASAP!

Sunday, June 21, 2015

Liking Isn't Loving

I am so stinkin' torn right now about this project. The problem is that I just don't love it, but I really like it. The "liking" part is making it hard for me to want to scrap the project all-together. It has merit, but it just doesn't create that "I'm so obsessed with this!" feeling like most of my other knit pieces illicit. So do I frog the project or do I invest the time in finishing it?

I just don't think the background colors are successful. My attempt to deepen the gradient helped but it's still too rigid, and then the separation between the 2 yellows disappeared so I'm left with the uneven distribution of colors. It feels weighted in the wrong ways.
Now here is a successful color gradient! I knit Hammered//Enamored by hand so, moving slower, I was able to assess the color-change much more closely. Also, only being able to view the backside of the knitting while using the machine, limits my visibility of what I am doing. 

I don't know what I'm going to do. I HATE feeling like I wasted my time or, even worse, that my art progress is moving at the pace of a fist fight underwater. I want so hard to be prolific and react quickly on my ideas but with all life puts on each of us, it can be tricky. And I'm just not a person that can forego all other life-fulfilling activities for the sake of my art career. Sometimes I wish I was.

Have you ever been stuck about making decisions like these? How do you work through them?

Thursday, June 18, 2015

Floppy Drives and Embroidery Hoops

 The view from my lap this week. Over the weekend I had a chance to spend some one-on-one time with a seasoned machine knitter from my guild, Cindy. She was so gracious as to allow me into her craft room and utilize some of her ancient, expensive, and highly-coveted (by me) technology.

SO, my knitting machine has electronic functions -- so far, I have only explored the more manual aspects of these capabilities -- but I knew there were ways to take designs directly out of the computer and upload them to the machine, bypassing any need to input the pattern by hand. I had no idea how, hence my idea to ask for help.

SIDE NOTE: This year, more than any other year, I have found myself actively seeking help from others with knowledge beyond my own. It's a really good idea. And if there is knowledge you can share with them..well then the cycle of learning never ends.

In anticipation of Cindy's help, I challenged myself to make the largest stranded knitting design (aka- fair isle, aka- 2-color design) ever in my lil' history. I had parameters, mainly the limit of the width of the machine, which is 200 stitches wide. So I ran with that and this is what I came up with.

I started with the familiar, toothbrushes and houses, and from there, found myself creating new motifs. In my newest body of work, I'm beginning to comment on the wide-range of technology that's seeping into our day-to-day lives, with an emphasis on my dual love and hatred for all these screens. So that's where the satellite dish, iPhones + earbuds, and solar panels are coming into play. (Also you know where the solar panels are coming from.) The design was also inspired by a traditional rug layout. 

One of my inspirations for this design; I saw this rug in a museum on University of Georgia Athens' campus. Not only is the layout inspiring but I love all the little animal motifs!

This design is also a personal reaction/reflection of my own home. The solar panels that were built in my backyard were a source of great pain, but now in the wake of the dust settling, there is still much beauty around me as well as some surprising benefits as a result of the changed landscape. As in, we now get a great view of the sunset. So, there's another duality being expressed in this piece. A sort of harshness (chain-link fence) mixed in with cheeriness (flowers blooming).

Once over at Cindy's, we attempted to bring my DIY computer-knitted design into her pro knitting software called DesignAKnit, or DAK. It worked somewhat, but then I spent the next few hours cleaning it up and adapting it correctly to her program. It is such a cool program -- the next time I find $800 burning a hole in my pocket, I've got to buy this!! Once the design was completed, we hooked Cindy's Tandy floppy drive to the computer -- again, just the cord to adapt the drive to the computer comes at an exorbitant cost. It's basically an emulator function, these sort of external floppy drives were never meant to receive information from a home computer, rather you would buy the disk that had the design you wanted and that was that. We had to export the design into 6 separate tracks due to the limited memory space on my CompuKnit III. Finally, another cord connects the floppy drive to my machine, and we begin the uploading and knitting process.

Are you still following me?? 

Ok, now here's how we actually got to knitting. We uploaded the first track from the floppy drive onto my machine. I get it set-up with proper orientation and I start running the carriage. When we get to the end of the programmed design (carefully cause the machine will automatically begin repeating the design so you hafta hafta make sure you end on the exact right row), we plug the floppy drive back in and overwrite Track 1 with Track 2, and knit again. There's some careful steps that needed to be taken between the designs to make sure they lined up correctly, Cindy and I would speak out loud for every operation so as to be constantly confirming with each other that we had done everything. This went on for all 6 tracks before we were finally finished. 

OH, ALSO during this time, I was attempting to create a gradient with my background color. See, I forgot until the night before our get-together that I would have to to bring all the yarn I needed with me and that I would require more than one ball of yarn to complete the project. That's new for me to need larger quantities of yarn. So in a pinch, realizing that I didn't have enough of any one color, I decided I would used 4 similar colors, and create a rough gradient through changing lines. Knitting 2 rows of new, 4 rows of old, 4 rows of new, 2 rows of old, and finally changing over to the new yarn color. In theory, this made sense to me.


Was NOT happy with the result (this is the best picture I took of the lines showing). For the first color change, the 2 different yarns were so similar in shade that it looked good. But for the yellow-to-green, and then green-to-blue... I wasn't happy. So more need for ingenuity. That's where the embroidery hoop comes in. I decided to deepen the illusion of a gradient, and remove the harshness of the lines, through duplicate stitch. Basically an embroidery stitch where you're going over the existing knitting with what looks like a typical knit stitch, one at a time. I utilize this technique often to garner the results I desire and to add complication to my design. 

It's a slow process but it's doing the trick! I'm about 3/4 of the way through so when I get it done, I will share a photo asap!

I have been a little reticent about fully automating the knit process, just because to me the making is the beauty, and I never want to take away from the making process. But, I also see the wonder in being able to allow my ideas to come to fruition more quickly. Especially since no matter how many hours there are in the day, I never feel like I can get anywhere very quick. It's in those times when I feel frustrated about how slowly my projects are coming that I remind myself of the journey and how with enough baby steps I can get there one day. Just maybe not this day.

The reality of me being able to further utilize these automated abilities is limited, unless I'm willing to invest in the equipment or if Cindy can tolerate me being over at her house all the time :) but I'm glad to know how they work now and know that it is an option.


As to my sewing machines, they're far from gathering dust! I'm playing with making my own underwear, inspired by Amy from Cloth Habit. The idea was sparked from my desire to live a handmade life. Thus, now when I'm in need of a certain material possession, I try to figure out if I can make it first before I go shopping. Not to mention, I see all the scrap fabric that accrues at my 9-to-5 and we've been looking for ways to use as much as we can and throw little away. Amy provides a FREE pattern for this panty (I only customized it slightly with those diagonal seams. That was to cater to the scraps that I was working with) and this has got to be the best style of underwear anyway, so no need to improve upon it!

Finding much needed time outside with my boo thang at the frisbee golf park :)

Hope you enjoyed, thanks for reading!!

Monday, May 18, 2015

Swizz Beatz, The Dean Collection & Thoughts About Treating Your Business Like A Business

 My latest Instagram crush is a surprising and welcomed find --- Swizz Beatz, and his latest venture with the Dean Collection. I can't say I knew anything about him, although I'm definitely familiar with his work (DMX was a staple in my Discman growing up) but what I'm really fascinated with is his fabulous contemporary art collection. Ok, so I know Kehinde Wiley (his painting featured above, a whopping 8'5" x 25' piece!) is probably the most famous contemporary artist of the last 10 years but what I'm really excited about is SB's interest in up-and-coming artists. As much as I enjoy Andy Warhol's faces and Damien Hirst's dot paintings, it's refreshing to find someone seeking out new, sometimes little-heard-of artists, purchasing their work, and adding fuel to their hype. 

Tryptic by Maya Hayuk, part of the Dean Collection

Not to mention I think he has pretty fabulous taste.

After finding his Insta feed, I pursued the internet looking for more information about SB. I got a charge after reading this interview with him and it started a chain of thoughts about how I approach my own artwork and looking at the business side of it. 

It's been over a year since I decided to prioritize my art life and now I'm starting to feel the need to really establish it as a business, as much in my own head as anything.  Until now, I guess I was just doing it to see what could happen and now that I've figured out what I'm doing, established myself a bit, and gotten some feedback, I feel ready to take things further. I've gotten to a point where what was started as a hobby, has now become something more, I want it to be more, so I need to reframe some of my intentions towards where I want to go with all of it.

Works by Saner Edgar, part of the Dean Collection

For one thing, I need to stop underselling myself NOW. You can only short-change yourself for so long before you become thoroughly sick of it. I'm setting prices and sticking to them -- I still want to be accessible to all kinds of people so that means making art within a variety of price ranges, not adjusting prices to what you think the crowd can afford. Or feeling bad about valuing your art at a certain price point. If you don't value it, can you expect other people to? 

Another one is making sure I show up in my studio like it's a job. Frequently, my studio time can get bumped to the wayside, especially since it is at my home and I could run to the grocery real quick to get food for dinner, or I could start that load of laundry -- NO -- I need to create working hours and stick to them. It's amazing what you can come up with when you're surround by all your tools and materials, even if you don't feel all-together inspired. My biggest hurdle right now is making as much as I can. My smaller pieces (like the houses and toothbrushes) have proven to sell when I make that means I need to keep making them. Like Swizz said he learned from Peter Max, art is like manufacturing your own currency.

Even this blog, it started as something that I only wanted to do as it pleased me, allowing it to be an organic expression. If my art is a business, then I need to make it a priority to share what I'm making regularly here, and my other social media outlets. This blog has become so much more for me over the past couple years. Not just a place to share but a place to process my journey, to document my learning curves, and help express myself through writing. When I first started blogging, I hated writing anything -- I felt like I sounded so dumb -- and would just post pictures. Now I have the confidence to verbalize in ways that I was too shy to do before. And the greatest thing is, when I meet people in person, I know how to verbalize to them what I'm doing because I've taken the time to do it here. Seriously.

BUT anyways, really excited to see a guy like Swizz Beats buying art instead of cars and I am interested to watch where he goes with The Dean Collection. I don't know if I have the gumption to go back to school for business like he is doing but I will do my best to put my business hat on more frequently. It's almost kinda fun sometimes, I mean not knitting fun but a girl's gotta give her hands a break sometime :)

Got any Instagram crushes you wanna share?

Monday, May 11, 2015

Sprang Update

New shipment of yarn arrives = I've got some big plans in the works! I'm starting to buy multiple balls in my fave colors in anticipation of larger projects.

Until then, why don't I share what I've been up to these past couplea months! I haven't been getting as much done as I would like due to now working a part-time job but it's just a matter of time before I rebalance.

I'm starting to explore the differences between hand and machine knitting. These 2 guys are the same toothbrush design, same yarn, same number of rows cast-on, but the left is done on the machine and the right is done by hand. It makes me realize what a loose hand-knitter I am! Doing intarsia color-work on the machine, you can't help but have a tight tension and I'm really enjoying it because it adds a sharpness to the design. Not to mention it now means I can pack in more detail into a smaller space. 

My tiny houses have gone super tiny now with the tight gauge. This guy measures 1.5" x 2.25". Can't wait to start designing these house more intricately, especially since this house is too tiny for any of my tiny frames, hehe.

These toothbrushes tho, I think I might prefer the look of the hand-knit here. See how varied the 2 brushes are from each other? The machine would add a uniformity that I believe would take away from the character of the design. This piece recently sold to a buddy of mine who reached out via Instagram, I appreciate his support! Eventually I would like to put a series of pieces up for sale online, until then, it's been individuals who reach out to me that I'm selling to for now. Still figuring out outlets for my work. 

If you are EVER interested in purchasing something you see here or on any of my web platforms (website, Instagram, Facebook) PLEASE CONTACT ME! If you love it, I want to get it to you!!

I'm now an official member of the Triangle Machine Knitters Guild based out of Raleigh :) they hosted a 5-day spring Knit-In at a local nature preserve that was a great opportunity for me to be in a room-full of experienced machine-knitters. That taught me some many little things about my machine -- like how do I adjust the volume? Is my frame set up right? It was great. Not only are they talented but fun company as well.

Got some knit inspiration off the TV the other day -- I couldn't figure out how they were knitting and purling with the same yarn but getting 2 different colors. When I brought my sketchbook in to the Knit-In, I was instantly taught about plating. Plating is where you carry 2 yarns as you knit, where one color is carried in front and the other in the back. This way the purl side will be a different color than the knit side.

Not only did I learn what plating was, but I learned I could do it on my machine! Mine came with a plating yarn feeder that can hold the yarns front and back.

Here is my first sample with the plating yarn feeder. I love the way that the contrasting yarns create a flecked sort of look. This swatch is way too stiff because I used 2 fingering weight yarns. To create a really nice fabric, I need 2 yarns that when combined, make a standard fingering weight.

Here is a piece I got done during the Knit-In. Can you tell what it says? I'll give you a hint: the dark lines are the shadows of the letters. I originally knit this design at home, and had my fair share of trials-and-errors...

...the biggest lesson being 1) I can't watch TV and machine-knit like the way I can by hand, and 2) understanding how to correctly flip my design so that it comes out the right way. See, when you knit by machine, you face the purl-side of the fabric (aka, the back-side) so you can't really see the finished side until you cast-off and remove it from the machine. After knitting my writing backwards not once, not twice but 
3 times (that's where the not-watching-TV lesson was learned), 
I finally realized what I was doing wrong. I would flip my pattern in the computer and then read the chart top-down, which would flip the pattern again. Flipping twice means backwards letters for me.

After maintaining my zen and dutifully ripping back, I finally got it right. Alas, even then I came to the decision that this bit of cryptic text might be too cryptic. So I decided to knit it one more time (the green one above) and loosen the tension (allowing more space between the letters) and shortening the letters overall. It's still tricky to read but no one said understanding art was easy!! Also framing it properly and being able to stand back from it helps :)

Did you guess what it says yet? TURD ON A LOG, duhhhh!!!! It's a phrase I use often when I feel like I'm not getting anything done, or I've watched too much TV and not done the laundry. I have no idea where it came from but it has become a part of my regular, nonsense lingo.

Ok, so maybe understanding art can be easy too.

This is another quick study I did at the Knit-In. Here I was inputing single motifs (one bird or one flower) and then using the machine's computing abilities to repeat and flip them as I desired. For me, this is where this software makes sense. I wouldn't want to input a large design like "Turn On A Log", especially if I know I only want to knit it once. I would rather input small motifs and have fun repeating them in various ways.

I've got some big plans for the next few months, focusing on my goal of scaling up. Now if all these friends of mine would quit being so happy and getting married then I would have more time to knit!!

Stay tuned...

Wednesday, March 11, 2015

Learning How To Knit Again

Y'ALL, I got the grant!!

My first grant-writing experience, and I got it! In a previous post, I detailed my journey in pursuing the grant and I'm pleased to inform you that my hard work paid off, and I danced alll the way back from my mailbox when I got the news. And I've got a looong driveway! You know, I had almost given up on receiving anything on my first try. This whole art career thing is full of rejections, and it makes things easier if you keep your expectations low. I'm not saying to always view the glass half-empty, but it helps to keep reality at hand in an attempt to protect your self-esteem. 

SO, I wrote the grant to ask for funds to buy a knitting machine. And now that I have one, I have to prove that it will further my career in the next year. In fact, that is part of the process. January 2016, I will be submitting a final review of how I spent my grant money and how it helped me. Not only is it a way to hold yourself accountable with others but a supreme kick-in-my-butt to learn how to use this machine as quickly as I can.

Above are some of my first test knittings, using the 2-color stranded pattern function on my machine. I designed the single-motif and repeat patterns in my computer, manually input them into the machine's primitive, electronic system, and then you're ready to knit!

My first time repeating a single motif -- toothbrushes, of course :)

My intimidation quickly dissipated as I started working my way through the manual. I forget that I am capable at understanding basic machinery -- things like oiling generously and looking closely at what's moving where. With enough patience, you remind yourself that it's simple mechanics.

The machine, in a way, works backwards. You see the purl-side (or wrong side) from where you are sitting and you have to go around to the other side to see exactly what you are doing, hence the view in the picture above. 

It's hard to take good pictures of the machine but mine has found a cozy nook bumped up next to the record player. Over this past weekend, I executed my first real project with the machine. That meant using nice, wool yarn that I paid money for. Needless to say I was a little uptight at first but there's no better way to learn than to throw yourself in the ring. I decided to start with an intarsia design because I have a death wish and why would I start easy? I mean I already bought the finest gauge machine there is (aka- smallest, hardest-to-see, general feeling like your fingers are way too big when attempting to fix any mistakes, etc) so might as well add a dozen balls of yarn into the mix. 

DISCAIMER: For anyone who thinks that buying a knitting machine is cheating, making things easy or automatic in any way, I'd like to debunk your assumptions right now. 

Hand-knitting is WAY easier than this!! You can control everything much better since it is all in your hands or lap. With this machine you have up to 200 needles that you need to keep an eye on and god help you if you lose a stitch (or worse a dozen stitches),  those babies run faster than you can blink. Just because it says this machine is electronic doesn't mean that it's automatic. You push that carriage back and forth for every row of knitting. In fact, you don't ever plug it in unless you're wanting to use the electronic pattern functions, and in that case, all the machine is doing is moving your needles into the correct position for you. You're still pushing that carriage.

What the machine does well is allow you to knit larger, faster. It really feels much more like working on a loom rather than the hand-knitting I'm accustomed to. Especially doing intarsia color-work, it reminds me of tapestry weaving -- that's where you lay the yarn by hand into each needle, depending on what color goes where, and then push the carriage across, controlling the tension of each yarn ball with your free hand -- The machine is more physically enduring than I expected. The carriage requires more force to run across the bed of needles when doing intarsia. Also my tension was pretty tight which is something I need to troubleshoot. That requires the machine to work even harder.

And of course I was knitting for hours on end because I was so excited about it all. Doing any physical activity for 6 hours will leave something in your body aching.

 So what do you think?! It was fun not getting a chance to really see the work until I took it off the needles. It turned out even better than I imagined! There's a fair share of mistakes in there, but I left them in, allowing them to be badges of my learning process. Also probably didn't know how to fix them anyways, hehe. The toothbrushes are nothing new for me but it was smart to start with a design I was familiar with, that way I could focus more on the learning aspect.

This piece ended up around 21" x 18". I used all but 4 needles on the bed. That means that this is about the widest I can go. If my tension was looser it could be a little wider. I'm surprised because when I decided I wanted to scale up, I was imagining a lot larger than this, and now I'm seeing the limitations of the machine. I think this means I'm going to need to work in sections and seam edges together to get the size I'm after.

Look at all those tiny stitches! By the time I cast off, my row counter was at 270. I had so much fun, I can't wait to start my next project.

Also this past month, I've been working on a new batch of "smalls". Mostly, tiny houses but also have some lil' toothbrushes. 

I'm hoping to put a series of pieces up for sale online in the near future. The good and bad of this idea is that I'm selling these little houses to my friends and neighbors faster than I can make them! Facebook has been a great platform where people have been reaching out to me about purchasing pieces (you can find me here). If you are ever interested in buying any of my work PLEASE let me know! We can work something out. I'm always open to trades and price negotiations. I need people to buy my work so it has a place to hang and I can continue making more. My house is too small to hang it all!

Quonset hut!! Wish I had one of these in real life.

SIDE NOTE: My beautiful, little niece turned 2 this past month and I can't fight the desire to make her beautiful things. This year I made her a lovely, knitted bunny that is the perfect snuggle size. I hope it brings her happiness!
Free knitting pattern for this bunny available here.

Have a great day!

Wednesday, February 11, 2015

What I've Learned Since Last Year

My first art piece of 2015 -- a beaded portrait of Karen O (lead singer of Yeah Yeah Yeahs) titled They Don't Love You Like I Love You, part of a series I'm calling IDOL EYES.


What haven't I learned since last year?
2014 was a big year for me. I decided to prioritize my art career and it took me to some great places -- the most thrilling being that, for the first time in my life, I felt like I found a path in the right direction. I've got focus, motivation, excitement for what I am doing and deep down it feels right.

Can I get a  HELL YES  for that??!

As much as I avoid lingering in the past, I have found that a little self-reflection on where I used to be can be a great indicator on how far I've come. If you're familiar with me or this blog, you get the idea that I like to dabble in a variety of crafts and mediums. I've put on a lot of different shoes in my short adult life and a lot of them have already been tossed off or buried at this point. The ONE THING that I have been very dedicated to is journaling. I've been consistent with my writing since I graduated college in '08 and started this journey into figuring out a career path. In fact, my journal has been a continuing source of inspiration for my art -- it's where I tend to find the fragments of words and thoughts that turn into artworks. 

One rando thing I started doing, would be to open up my journal to today's date last year or years prior and see what I was doing then. (It's amazing the things we forget!) What I discovered in this little game is how powerfully it has shown me just how far I have come. It's easy to get wrapped up in your plans for today, this month, this year, and forget how hard you work just to simply be where you are today. There's an entry in 2009 where I announce to myself that I want to be a textile artist. I say I don't know what that looks like or what kind of work I want to make, I just know that that's the title I want. I was blown away when I saw that because  1). I had no memory of wishing for that and 2). I'm there now. That dream I wished for came true. Or maybe more like, I made it happen. It gets me thinking about what I can wish for today that consciously or subconsciously I can work towards in the years to come. Sometimes I get wrapped up in developing a business plan with clearly-stated goals (not easy) but sometimes if you take the first few steps, you can be led to beautiful possibilities that your mind hadn't even thought to go.

Moral I'm getting from all this? 

I should do now, worry less about defining the big picture, trust the process, appreciate how far I've come and look forward to the open doors that I didn't see coming.

Watch Him As He Goes (Dave Grohl), 2008. Back in my Foo Fighters phase (hey, can't say no to a good beard!) 

My year started out with one of those unknown doors swinging in my direction. When I built my website, I put all work I had on there that reflected my self-appointed title of textile artist. Not much at the time, but I did have these beaded portraits that I made in school and had always enjoyed. I hadn't thought much about getting back into beading, it was another one of those crafts that I had dabbled in at one point in my life and then hadn't picked back up. 

I Would Die 4 U (Prince), 2013. Bow down to him, children! (Still in my Prince phase :)

Then here comes the door a-swinging...

Remember how I made that piece for a poster competition? Welllll, one of the reasons I wanted to enter something was because the competition was being hosted by the best gallery in Greensboro, and probably one of the best in North Carolina. And I thought maybe it wouldn't be such a bad idea to put my name in front of their faces. Really, I was going for the prize money but there was also a little voice in the back of my head that told me this was a good move. And I was right. The fabulous lady who runs the shop in front of the gallery saw my knitted piece, sought out my website, and found my beaded portraits. Turns out that Greenhill Gallery had an upcoming self-portrait exhibit and she thought these pieces would be perfect for the shop at that time.  !!!!!!!!!  

Those eyes, Frida! 

We met, she provided me with wonderful words of encouragement and gave me the idea to build shadow boxes for these lil' felt pieces, along with giving me motivation to build them, a place to hang them, and (painful but oh so helpful) a deadline. Like a 2-week one!! I also knew I needed to make one new beaded piece to give myself a good number. 3 small ones and 1 larger one. Frida actually was sewn to a dress for my senior fashion collection and I made the decision to cut her from the cloth. The dress proved to be impossible to hang in an art setting and it was so small and it had sat in a trunk for years collecting weird smells. She needed a new life.

 So this all added to the super speed of last month but I couldn't be happier with how these turned out. Thankfully, Adam was willing to build me some last minute frames and I slowly got better with sanding and finishing. Seriously, how are you supposed to get a good lacquer finish out of a spray can in 35 degree weather?? I scraped by.

OBSESSED with how this matte black turned out behind Frida. We added a block behind the felt to give them a floating look and have them hanging from a nail. That way they can still be removed and held. I couldn't bear the idea of making fiber art that can't be touched. And I winced every time someone mentioned velcro.

After all the hustle and bustle of getting these finished, I realized that I was fulfilling another unspoken dream: to get a chance to show at Greenhill.  Well, I really want to get in the gallery but the shop is still a very respectful place to be, and now it's only a matter of time before I'm in the big room :) Mind you, I wasn't just blowing on dandelions and sitting on my butt, I've worked consistently to put myself in the way of influential people and places. What I'm saying is, I think it's okay to not have supremely-defined goals but if you put yourself out there in ways, dreams can come to you. Reminds me of one of my favorite quotes..

"The harder I work, the better luck I have."

 SIDE NOTE: I jumped for joy when I found this single, wild daffodil blooming in the wreckage of what used to be my wooded backyard. I thought that their great shoveling machines would've all but destroyed their vast rooted network. They used to bloom all over the place. I know that this is a good sign for the coming year and all that was destroyed was not totally lost.
I can't wait for spring.